Gene Clark No Other Rar

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Though didn't live to see it, has attained cult status as a visionary recording that employs every available studio means to illustrate the power in 's mercurial songwriting. He and producer entered Village Recorders in L.A. With an elite cast that included and, Lee Sklar,.

's vocalists included:, ', and among them. These musicians all brought their best to the material. As a whole, is a sprawling, ambitious work that seamlessly melds country, folk, jazz-inflected-gospel, urban blues, and breezy L.A. Rock in a song cycle that reflects the mid-'70s better than anything from the time, yet continues to haunt the present with its relevance.There are no edges on the set, even in the labyrinthine, multi-tracked title track that juxtaposes guitar-driven psychedelia and out jazz saxophones and flutes with lush vocal harmonies. Even its tougher tracks, such as 'Strength of Strings,' that echoes 's 'Cowgirl in the Sand,' melodically, delivers an alluring, modal, Eastern-tinged bridge adorned by slide guitar wizardry.

In the textured darkness of 'Silver Raven,' 's falsetto vocal is framed by an alluring synth, and muted bassline and is embraced by a chorus that rivals 's, making for a heartbreaking, yet blissed-out country-folk song. 'From a Silver Phial,' as haunting and beautiful as it is, is one of the strangest songs ever penned.

Its anti-drug references are especially odd as this is one of the more coked-out recordings to come from L.A. During the era. The final two cuts, 'The True One' and 'Lady of the North' (the latter co-written with ), are the only two pieces on the disc that mirror where had come from musically, but as they wind around the listener, even these are far bigger than mere country-rock tunes, offering glissando passages of pedal steel and piano ostinatos that actually create narrative movement for the lyrics to turn on.

No Other Gene Clark

's songs lend themselves to open-ended performances in the studio. Because of his spacious, yet always beautifully centered compositional style, they are well-suited to 's use of the multi-tracked instruments and vocals, ambient sonic echoes, and textures that surround them.

's unlikely classic, is continually continued rediscovered by succeeding generations.